The Yellow Wallpaper Annotation

This blog will be an annotation of The Yellow Wallpaper by Charlotte Perkins Gilman. The word “creeping” or “creep” is used multiple times throughout the story as the narrator makes references to the woman behind the wallpaper. The narrator makes a significant shift from the word “crawl” to “creep” which makes the images more impactful on the reader as we are able to connect with the horror of the oppression of women during this time.

Oxford English Dictionary defines the word “creep” as the action of creeping; slow or stealthy motion and “creeping” as the action of moving on the ground, as a reptile, or a human being on hands and knees. This term comes to life in the story in the very last line, “Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!”

The word crawl in Oxford English Dictionary is defined as a verb and describes the word like this: to move slowly in a prone position, by dragging the body along close to the ground, as a child upon its hands and knees, any short-limbed quadruped or reptile, an insect, serpent, worm, slug. This word is used in the text on page 298, “Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over.”

Although these two words are very similar the significance of using the work creep instead of crawl is very different. Crawl implies a movement that is very simple; when the term crawl is used I tend to immediately think of a newborn child just learning how to move on their own for the first time. It is a very innocent and childish term. Creep is a completely different word in my vocabulary, to creep on someone would imply a very dangerous and potentially harmful action. The use of the word creep towards the end of the story allows the readers to see how delirious the narrator had become following the uncontrollable and unfair treatment as a result of her post-partum depression.

The word can also represent the cultural side of the story by bringing out the absolute worst in a woman. The narrator got to the point where she could no longer handle being locked up in a room with hideous wallpaper and a chained bed. As a result, we discover that the woman behind the yellow wallpaper was in fact a representation of herself.

Lastly, after reading a review on Gilman’s The Yellow Wallpaper it is easy to conclude that she did reach the point of insanity. And the fact that Gilman chose to use the term “creep” in the very last sentence of the short story proves most people’s assumptions about the narrator’s mental state to be true.  In response to Gilman’s story, a blog is posted with this quote to sum up all of the nameless narrator’s emotions, “she is the physical manifestation of her imprisonment-- she has become the bedroom's effect. Creeping about stealthily, the narrator acts out her very interiority. She reveals, in turn, "all" that the bedroom hides, parading the bedroom's architectural charade as she circles its perimeter. Her insanity makes her a spectacle, but John is unable to see, unable to understand, and cannot, finally, accept the threat of exposure.” (Dr. Beth Snyder-Rheingold)

Works Cited
              Perkins-Gilman, Charlotte. The Yellow Wallpaper.1899.

Dr. Beth Snyder-Rheingold. http://www.womenwriters.net/domesticgoddess/snyder.htm. November 2003. Online. Sep. 21 2011

Guess Who?? (Reflective/Creative post)

In class we briefly discussed the concept that every character in A Raisin in the Sun has a dream that needs to be fulfilled and “roadblock” that is holding them back from accomplishing that dream. In this creative/reflective post, I am going to elaborate on this thought, give opinions, and apply it to the idea of the American Dream in relation to Death of a Salesman. In this process I will refer to each character by a number and have you guess which character this relates to. At the end of the post I will reveal which character applies to each description.

Character number one is assertive in their words and actions, they are very political in their thinking and they do not care who knows it. They are determined, strong-willed, and different in their own way. They have a dream to be something great and reach their full potential in life. Even though finances could potentially hold them back, their self-determination keeps them going each day. Their roadblock is internal but portrayed as external because of their liberal views. Who is this character?

Character number two is oblivious to the reality of what is going on. All of the other characters try their best to hide their problems from this character. Some characters feel that discipline will shape them into becoming something great and others feel it is necessary to spoil him/her. Despite the differences in views of discipline, each character in the story truly wants what is best for him/her. This character has a dream of being exactly like someone they are close to; they want to follow in their footsteps. The roadblock of this character is more psychological because they are younger and does not know what their future holds. What character does this description sound like?

Character number three is gentle but firm with their words rather than their actions. They get caught up in a jam that they don’t quite know how to get out of. They want what is best for the entire family but could potentially put themselves in danger by doing this. This character is the level headed one of the household but is not the actual head of the house. Their dream is to live in a house that they can call home; one that does not fall apart at the seams. They have two separate roadblocks getting in the way of fulfilling their dream. One is the internal conflict of trying to make a big decision regarding the family and the other is external because of the family’s financial state that constantly holds them back from living properly. Which character am I referring to?

Character number four has to assume the responsibility of head of the household up until act two. They are well along in age and have control over the insurance money the family receives in the mail. This character is calm and has experience living life. The symbolism that always relates to character four is that of a plant. The dream of this character lies within; it is a dream to satisfy the needs of the family and to provide for their well-being. Their roadblock is internal considering he/she has lost someone dear to them who always knew what to do in time of crisis; this character admired and respected the ideas and values of the one who is deceased. Now, this character has to be the one to pass on the love and support the other characters. Who is it?

Characters number five and six are polar opposites of each other. Character number five is sophisticated, educated, and has a bright future ahead of him/her. Character number six is driven, frustrated, and care-free. In act two of A Raisin when character number five is introduced, character number six immediately bashes on him/her. There is tense banter that happens between the two of them for a brief moment. Character five is level-headed, while character six appears to have lost their mind. Character five has a dream to study simply for the outcome; they do not care about the politics of it all. Character six has a dream to be heard and supported. Five has a roadblock of being surrounded by people (one woman in particular) that bombards him/her with logistics. Six has a roadblock of being put down internally (unintentionally) by other family members; this affects their psychological state. What two characters come to mind while reading this description?

The last character (character number seven) is the most unique of them all. They have different views than the rest only because they are more in touch with their culture. It would be easy to assume that this character could easily fall into the footsteps of Marcus Garvey and his back to Africa movement. This character is secure in their culture and is able to travel to different areas to expand their knowledge on the magnificence of life. This character believes in the natural beauty and allowing everything to fall into order. Although this characters dream is not revealed to the audience, we can easily assume that their dream is to restore the natural order of the world and separate each people group by culture. Character number sevens roadblock is external because the world is forever changing and it is going to take more than one person to stop it. Who is this character?

The American Dream for the characters in A Raisin in the Sun is similar to those of the cast of Death of a Salesman. We can see beyond the racial factors and focus on the idea that money is everything in both circumstances. Just as Willy needed money to support his family, Walter needs money in order to feel desirable and maintain his role as head of the household. The main male characters in both of the stories want what is best for their families, especially their sons, and will do anything in order to get it. I have not finished reading through Act 3 of A Raisin so it will be interesting to see if Walter has a similar demise to that of Willy. Everyone wants to achieve the idea of the American Dream, to what extent will each person go to get it?

Answers:

Character 1 – Beneatha  Younger

Character 2 – Travis Younger

Character 3 –Ruth Younger

Character 4 -  Lena Younger (Mama)

Character 5 – George Murchinson

Character 6 – Walter Lee Younger

Character 7 – Joseph Asagai

Death of a Salesman and The American Dream (Problematize)

The American Dream is essentially defined as an idea which suggests that all people can succeed through hard work, and that all people have the potential to live happy, successful lives. It is an opportunity for all people to feel important regardless of social status, race, ethnicity, etc. It is rooted in the idea that "all men are created equal" as stated by the Declaration of Independence. This idea of the American Dream has evolved over time, but ultimately began before our parents were born. Although it hit popularity during the 19th and 20th century, the concept of the American Dream still somewhat exists today.

In Arthur Miller’s The Death of a Salesman, he depicts a perfect portrayal of a man’s continuous hope that he will ultimately achieve this idea. Willy Loman is a man of older age with two sons named Biff and Happy. Willy has spent his whole life putting Biff on a pedestal believing that one day Biff will be a great man, he will not only be liked but he will be "well-liked." Throughout the story Willy is trapped by memories of the past and cannot overcome them even up to his death. Despite Biff’s assurance that he will never be as great as his father hopes, Willy enforce the idea of the American Dream onto Biff’s average life.

Willy Loman is also a man who highly values money. It is important for him as man of the house to provide for his family even when he cannot. When Willy’s attention is not focused on Biff, he realizes the lack of success and fortune that he had in his own life. Willy tried so hard his whole life to be wealthy; he was never at home with his family, he always tried to live the life of a salesman. Not only did Willy die a poor man, he died an unhappy man. At the end of the book only four people attended his funeral: Biff, Happy, Linda, and Charley. Willy Loman could not impact those around him; he could not help others because he could not help himself.

This concept of the American Dream can easily be applied to religion because there is such a strong emphasis on money in the story. 1 Timothy 6:10 gives a warning against the use of money saying, ^“For the love of money is a root of all kinds of evil. Some people, eager for money, have wandered from the faith and pierced themselves with many griefs.” We see this passage lived out in Willy Loman’s life as he is continuously overcome with disappointment, frustration, and anger when he realizes that his life is meaningless.

How does this apply to us today? We may not directly focus on the idea of the American Dream but it still exists among us. It would be easy to assume that it is in fact more dangerous to us today than it was during Willy Loman’s time. The cost of living is so high that the emphasis is put back on money and the importance of it in our lives. Money is such a necessity in our lives today that it is almost idolized; we spend more time making money than we do focusing on our faith. Christians and non-Christians are both guilty of this desire to be successful. The difference is, in our God, anything is possible. We can fight the battle against the American Dream...and win.

Reflection on Modernism

The best part of class on Tuesday was the relation between the discussion on Modernism and the passage Psalm 139. When it came down to comparing and contrasting, I realized that it was more of a contrast. Psalm 139 states that even when we attempt to run from God and hide in the darkness, that we will still be revealed. The scripture implies there is no use pushing the dark to the side because we must recognize that it is a reality but there is still hope in the times of “darkness” in our everyday lives. Modernism takes a different approach by not subscribing to absolute truth or, in other words, “Push away the darkness.”  Another example of contrast dealt with the modernist idea that life does not have a specific order. But the Psalm revolves around the idea that God knows everything before it happens. He knows every plan before it is set into action and every word before it is spoken from our lips. Psalm 139:4 says “Before a word is on my tongue you, LORD, know it completely” suggesting that there had to be a specific order to humanity. I also believe that the shift to modernism has its positive and negative effects. Most of the time a break from tradition is necessary for new upcoming generations to learn from the mistakes of those before them. But the idea that life is unordered goes against the, not only Christian, but religious view as a whole.  Regardless, the best part of class was being able to take a secular thing such as Modernism and apply it to something that was written so long ago. It is quite ironic that the two can be compared side by side because the modernists feel no connection to the past yet the Bible is full of past experiences that still apply today.